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When Canadian Culture Becomes a Trade Barrier
audience reality check Annelise Larson 8/28/26 audience reality check Annelise Larson 8/28/26

When Canadian Culture Becomes a Trade Barrier

The collapse of Canada-U.S. trade talks exposed a fight over who controls the pathways connecting Canadian stories with audiences. Discoverability matters, but cultural sovereignty depends on supporting the full journey from a story’s first encounter to a lasting audience relationship.

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The Audience Ladder: How Emotion Moves Audiences
audience reality check Annelise Larson 8/7/26 audience reality check Annelise Larson 8/7/26

The Audience Ladder: How Emotion Moves Audiences

Making a film available solves a logistical problem. It does not make an audience care. The Audience Ladder traces the work that moves people from access to attention, choice, discussion, memory and an ongoing relationship.

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How to Make Your Film Legible to the Machines That Guide Our Audiences
audience reality check Annelise Larson 6/19/26 audience reality check Annelise Larson 6/19/26

How to Make Your Film Legible to the Machines That Guide Our Audiences

The old discoverability question was: can people find your film? The new question is: can the systems guiding audience attention understand it? This practical 10-point AEO checklist helps filmmakers, producers, and cultural storytellers make their work clearer, more consistent, and easier for both audiences and machines to understand.

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A $600 Million Lifeline Will Not Save a Disconnected System
audience reality check Annelise Larson 6/5/26 audience reality check Annelise Larson 6/5/26

A $600 Million Lifeline Will Not Save a Disconnected System

Canada’s screen sector is fighting over who pays for Canadian content. But the deeper question is what kind of audience system that money will build. A $600 million lifeline may buy stability, but without shared data, audience research, metadata, release-pathway learning, and community connection, it will not create transformation.

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© 2010-2026

veria.ca connects digital creators, film and television, and public policy through the lens of audience, from local communities to global reach.

It is led by Annelise Larson, an audience strategist and researcher working across Canada and internationally since 1995.